Trial Proof - (Trial Proof) — A preliminary proof produced in a limited edition, these initial prints are pulled to allow the artist to examine, refine, and perfect the prints until the desired final state is achieved. Trial proofs are typically unsigned.
Woodcut - (Woodcut) — a printing method in which the printing surface is carved from a block of wood. Traditionally, the woodblock is crafted from hardwoods such as apple, beech, or maple. Woodcut is one of the oldest forms of printing, dating back to the 12th century.
Acrylic Glazing - (Acrylic glass) — a plastic alternative to glass.
Anti-Bandit Glazing - (Anti-bandit glass) — a laminated glass unit that does not shatter upon impact.
Archival - (Archival) — refers to materials that meet specific durability criteria, such as being lignin-free, pH-neutral, alkaline-buffered, light-stable, etc.
Anti-Reflective Glass - (Anti-reflective glass) — reduces light glare and provides maximum clarity.
Bespoke - Made to the client's specific requirements.
Conservation Framing - (Conservation Framing) — The use of specific materials and techniques during the framing process to ensure that the framing itself does not damage the artwork. Hinged mounting (rather than permanent adhesion), the use of high-quality acid-free boards and mats, the avoidance of staining adhesives, and glazing with conservation-grade glass or acrylic are standard procedures employed to help preserve the artwork. These same procedures are sometimes referred to as "preservation framing."
Conservation Glass - UV-filtering and anti-reflective glass.
Dry mount - (Dry Mounting) — A process utilizing dry adhesives to mount artwork or photographs onto boards, using high heat and a dry mounting press.
Fillet - Used as an accent within the framing of another element, liner, or mat.
Float Mounting - (Float Mounting) — a process in which a work of art is framed so that all four of its edges remain visible. The artwork is adhered to a backing board behind a bevel-cut opening; this backing board is, in turn, attached to a high-quality undermount, creating the illusion that the artwork is "floating" above the surface of the undermount. Artworks on handmade paper are frequently presented using float mounting.
Woodcut - (Woodcut) — a printing method in which the printing surface is carved from a block of wood. Traditionally, the woodblock is crafted from hardwoods such as apple, beech, or maple. Woodcut is one of the oldest forms of printing, dating back to the 12th century.
Acrylic Glazing - (Acrylic glass) — a plastic alternative to glass.
Anti-Bandit Glazing - (Anti-bandit glass) — a laminated glass unit that does not shatter upon impact.
Archival - (Archival) — refers to materials that meet specific durability criteria, such as being lignin-free, pH-neutral, alkaline-buffered, light-stable, etc.
Anti-Reflective Glass - (Anti-reflective glass) — reduces light glare and provides maximum clarity.
Bespoke - Made to the client's specific requirements.
Conservation Framing - (Conservation Framing) — The use of specific materials and techniques during the framing process to ensure that the framing itself does not damage the artwork. Hinged mounting (rather than permanent adhesion), the use of high-quality acid-free boards and mats, the avoidance of staining adhesives, and glazing with conservation-grade glass or acrylic are standard procedures employed to help preserve the artwork. These same procedures are sometimes referred to as "preservation framing."
Conservation Glass - UV-filtering and anti-reflective glass.
Dry mount - (Dry Mounting) — A process utilizing dry adhesives to mount artwork or photographs onto boards, using high heat and a dry mounting press.
Fillet - Used as an accent within the framing of another element, liner, or mat.
Float Mounting - (Float Mounting) — a process in which a work of art is framed so that all four of its edges remain visible. The artwork is adhered to a backing board behind a bevel-cut opening; this backing board is, in turn, attached to a high-quality undermount, creating the illusion that the artwork is "floating" above the surface of the undermount. Artworks on handmade paper are frequently presented using float mounting.
Rabbet - a groove under the edge of the formation, making space for the mat, glass, art and mounting board.
Stretcher Bars - frames over which oil on canvas and some types of art fabric are stretched. They can be bought in standard sizes and some types can be bought in length for self-assembly. The cross section of the stretcher bar is narrowed so that the inner edges do not touch the reverse of the canvas. The wedges are merged in the corners to keep the stretcher with a square frame. Depending on the level of framing, the bars can be covered with tightly wound fabric (for example, cotton) or covered with a barrier board.
Стилі в мистецтві:
Abstract - a 20th-century art style in which non-representational lines, colors, shapes, and forms replace accurate visual depictions of objects, landscapes, and figures. Subjects are often stylized, blurred, repeated, or broken down into basic shapes so that they become unrecognizable and do not represent reality as seen by the human eye. Intangible objects, such as thoughts, emotions, and time, are often expressed in abstract art. Abstract art attempts to express reality without depicting it.
Abstract Expressionism - Perhaps America's greatest contribution to the history of modern art is Abstract Expressionism, which dominated the New York scene for the decade and a half following World War II. Although less cohesive as an artistic movement, its common thread revolved around opposition to the rigid formalism characteristic of much abstract art at the time. The movement, which owed its existence to a new appreciation of the individual, spread rapidly after the defeat of totalitarianism in World War II. Founding members of Abstract Expressionism include Arshile Gorky, Hans Hofmann, Jackson Pollock, Willem de Kooning, Franz Kline, and Mark Rothko.
Art Nouveau - a painting, printmaking, decorative design, and architectural style developed in England in the 1880s. Primarily an ornamental style, it was a protest not only against sterile realism but also against the entire drift toward industrialization and mechanization and the unnatural artifacts they produced. The style is characterized by the use of sinuous, graceful, cursive lines, interwoven patterns, colors, plants, insects, and other motifs inspired by nature.
Avant Garde - A group actively inventing and applying new ideas and techniques in original or experimental ways. A group of practitioners or proponents of a new art form may also be called avant-garde. Some avant-garde works are intended to shock those accustomed to traditional, established styles.
Baroque - A complex theatrical style of ostentatious ornamentation in decorative arts and architecture that flourished in Europe from the 16th to the 18th centuries, characterized by curved rather than straight lines.
Contemporary - Usually used to describe art that has been created since the second half of the 20th century.
Contrapposto - (Literally) "counterweight." A method of depicting the human figure, especially in sculpture, often achieved by placing the weight on one leg and turning the shoulder so the figure is relaxed and mobile. The result is often a graceful S-curve.
Classical - (Classical) - In Greek art, a style of the 5th century BC Roughly, the term "classical" is often applied to all the art of ancient Greece and Rome, as well as to any technique based on logical, rational principles and deliberate composition with an emphasis on proportion and harmony.
Colour Field Painting - A style of painting prominent from the 1950s to the 1970s, showing large "fields" or areas of colour, meant to evoke an aesthetic or emotional response through colour alone.
Conceptual Art - A form of art in which the underlying idea or concept and the process by which it is achieved are more important than any material product.
Cubism - A style of art developed in 1908 by Picasso and Braque in which the artist breaks the natural forms of subjects into geometric shapes and creates a new kind of pictorial space. Unlike traditional styles of painting, where the perspective of subjects is fixed and complete, Cubist work can depict a subject from multiple perspectives.
Dada - A movement that emerged during World War II in Europe that declared itself anti-everything, even anti-art. Dada ridiculed established traditional taste in art with its deliberately shocking, vulgar, and absurd works.
Expressionism - An artistic movement in the early 20th century in which traditional adherence to realism and proportion was replaced by the artist's emotional connection to the subject. These paintings are often abstract, deliberately distorting colors and shapes to emphasize and express the artist's intense emotion.
Fauvism - An art movement that began in 1905 characterized by the use of bright, unnatural colors and simple forms. Influenced the Impressionists.
Figurative - (Compositions) - Often used to describe works of art that depict nature in some way, abstracting from it. In its most limited (and useful) sense, it is used to describe works of art based on the human figure or animals.
Folk Art - (Folk Art) - Primitive art, by an inexperienced artist who paints in the common tradition of his community and is a way of life of the people. Also called "Outsider art" or "Art brut".
Futurism - (Futurism) - an art movement founded in Italy in 1909 and lasting only a few years. Futurism focused on the dynamic quality of modern technological life, emphasizing speed and movement.
Genre - (Genre) - art that depicts random moments of everyday life and its surroundings or a class of art that has a characteristic form or technique.
Gothic - A style of architecture and art dominant in Europe from the 12th to the 15th centuries. Gothic architecture features pointed arches, ribbed vaults, and often large areas of stained glass.
Hard Edge Painting - One of the latest innovations, it came from New York and has been adopted by some modern artists. Forms are depicted with precise geometric lines and edges.
High Renaissance - A style of early 16th-century painting in Florence and Rome; characterized by technical mastery, heroic composition, and humanistic content.
Impasto - An artistic technique most often used in oil painting. Paint is applied to the canvas very densely, often in layers, usually in such a way that the brush or painting-knife strokes are visible. Paint is also sometimes mixed directly on the canvas. Impasto cannot be easily used in watercolor works because of the thin quality of the paint.
Impressionism - (Impressionism) - an art movement founded in France in the last thirty years of the 19th century. Impressionist artists sought to break down light into its component colors and capture the senses with their play on various objects. The artist's vision is intensely focused on light and the ways it transforms the visible world. This style of painting is characterized by short brushstrokes of bright colors that are used to reproduce the visual impressions of the subject and capture the world, climate, and atmosphere of the subject at a particular point in time. The colors chosen represent light that is split into its component parts of the spectrum and recombined by the eye into a different color when viewed from a distance.
Landscape - (Landscape) - Design for any artist to depict natural landscapes, sea, sky or vegetation in the context of the main subject. Whether the image-creative elements have different meanings or are inspired by them, suddenly create mysteries. Originally from Holland and France in the 17th century.
Magical Realism - (Magic realism) - the artistic movement of the 20th century (1940 - 1950s) is characterized by images of everyday activity, with an element of fantasy or a miracle can be seen (in the vikoristan color, clarity of vision or when bathing the subject). Painting combines beautiful or fairy tale elements with realism. Some artists familiar to this style are Paul Cadmus, Andrew Wyeth and Emil Deschler.
Mannerism - (Mannerism) - the term is sometimes established until the end of the 16th and beginning of the 17th century in Europe, characterized by a sharp variation in space and lightness and dexterity to drawn figures.
Medieval Art - (Middle Mystery) - Mystery about the Middle Ages 500 m a.d. through the 14th century. Mystery, created directly before the Rebirth.
Minimalism - (Minimalism) - a style of painting and sculpture in the mid-20th century, in which elements of mystique are revealed with a minimum of lines, forms and some colors. Works can look and feel rare, spare, surrounded or empty.
Modern / Modernism - (Contemporary / Modernism) - a genre of fiction and literature, to create a self-indulgent break with previous genres.
Naturalistic - (Naturalistic) - Descriptive creation of mysticism, which even guesses forms in the natural world. Synonym for representative.
Neo-classicism - (Neoclassicism) - "New" classicism - a style in the 19th century of the advancing mystique that goes back to the classical styles of Greece and Rome. Neo-classical paintings have sharp outlines, reserved emotions, underlying (often mathematical) compositions, and cold colors.
Neo-expressionism - (Neo-expressionism) - "New" expressionism - this term was initially consigned to the ancient times of Germany and Italy, which came to an end in the era after the Other light war; and later expanded (in the 1980s) to include songs by American artists. Neo-expressionist works to portray strong emotions and symbolism, sometimes using unconventional features of mass media and intense colors with turbulent compositions and subject matter.
Non Objective - not at all representative; clean design; abstract.
Nude - (Naked) - the living model is undressed, or the body of mystique, which represents a man without clothes. Barely classic, hourly, elemental, primary and universal. Because all the essences of our rich nakedness are the subject of ultimate empathy. And yet, in the hands of the artist, the exquisite, underfinished and tendentious package that carries all our souls evokes a noble immortality and thoroughness that surpasses its mere physicality.
Op Art - Short for optical mystique, a style popular in the 1960s, which is based on optical principles and optical illusion. Op Art deals with a complex of color interactions, to the point where colors and lines are created, vibrating in front of the eyes.
Painterly - (Malyovnichiy) - a description of paintings in which forms are indicated by the main rank of color areas, not by lines or edges. The artist’s brushstrokes are more noticeable. Regardless of the image, it looks like anything could have been created using the style or methods chosen by the artist.
Photo Realism - (Photo Realism) - a painting and painting style from the mid-20th century, in which people, objects and scenes are depicted with such naturalness that the pictures are similar to a photograph - perhaps more precisely a visual duplication of the subject.
- He Hongbei
- Erik Jones
- Juan Carlos Manjarrez
- Luigi Benedicenti
- Diego Gravinese
- Juan Manuel Cossio
- Will Cotton
- Lee Price
- Milan Nenezic
- Saturno Butto
- Li Gui Jun
Pointillism - (Pointillism) - a branch of French impressionism, in which the principle of optical mixing or evil coloring is taken to extremes, stagnation of color at critical points or small isolated impacts. Shapes can resemble pointillist painting only from afar, as long as the eye of the beholder mixes colors to create visual mass and outline. Winemaker and leading exponent of pointillism was George Sirka (1859-1891); with another prominent figure is Paul Signac (1863-1935).
Pop Art - (Pop Art) is an American style of mysticism, which is derived from commercial mystique and objects of mass culture (for example, comic books, popular products and branded packaging). This style developed in the late 1950s and was characterized in the 1960s by such artists as Jasper Johns, Endy Warhol, Klaus Oldenberg, Roy Lichtenstein, Larry River, Robert Rauschenberg, George Segal, and Robert Indiana.h
Portrait - (Portrait) - Be like a human being; The picture shows people, and sometimes the whole bodyPost Modernism - (Postmodernism) - a genre of fiction, literature and architecture in reaction against the principles and practices established by modernism. The term was established until the work of many artists - French or living in France - around one thousand eighty-five to 1900, although all the smells were prepared in very special styles, The post-Impressionists were united in a refined sense of the appearance characteristic of Impressionism and the support of formal power and the importance of the subject.
Pre-Historic Art - (Pre-Historical Art) - Artistic forms conveyed the history of mankind, such as the Old, Middle and New Ages.
Pre-Raphaelite - (Pre-Raphaelite) - Pre-Raphaelite Brotherhood was created in 1848 by the son of seven artists: Dante Gabriel Rossetti, William Michael Rossetti, William Holman Hunt, James Collinson, John Everett Millet, Frederick George Stevens, and Thomas Woolner. Their meta involved the development of a naturalistic style of mysticism, the elimination of rules and mentalities, drilled into the heads of students in academies. Raphael, being an artist, is respected at the highest level of perfection, so that the students were encouraged to work from their tools, and not from nature itself; Thus, the stench became “Pre-Raphaelites”. The group popularized a theatrically romantic style, valuing marvelous beauty, graceful realism, and adoring Greek and Arthurian legends. The movement itself did not stop past the 1850s, but the style lost its popularity over the course of a decade, and fell into the ruins of mysticism and crafts, symbolism, and the classics.
Quattrocentro - Italian Renaissance and literature in the 15th century.
Realism - (Realism) - a style of painting that depicts an object (shape, color, space), as a result of representations in action or primary visual appeal without creation or stylization.
Renaissance - (Renaissance) - The period of European history with the closure of the middle world and the rise in the current world; cultural revival of the 14th century through the 17th century. Mystery is most closely associated with Leonardo da Vinci, Michelangelo, Raphael i.
Rococo - (Rococo) - Chimeric asymmetrical ornament in mysticism and architecture, which originated in France in the 18th century.
Romanticism - (Romanticism) - in the style of the era of disunity in the late 18th to mid-19th century, which was a reaction against classicism, in order to sanctify nature rather than civilization. Emphasizing the special, emotional and dramatic through the use of exotic, literary or historical subjects. The dominant European style dates back many centuries, and was the forerunner of the Pre-Raphaelite era.
Sfumato - (Sfumato) - From the Italian work of "dim", a technique of painting in thin glazes to achieve a foggy, gloomy atmosphere, often for the presentation of objects or landscapes meant to be flattened as removed from the image surface.
Still Life - (Still Life) - A painting or another two-dimensional creation of mysticism, in which the subject is the arrangement of material objects (for example, fruits, flowers, vases, etc.) created at once for their mutually complementary contrasts shape, color or texture. The mechanism of the flower with cut stems in the service of the AVAS type of flower or bowl of fruit is usually the most extensive still life that artists will experiment with when they first begin to practice the form of mysticism.
Stippling - A pattern of closely spaced dots or small marks, vikorized to create a trivial appearance on a flat surface, especially in armchairs and engravings. Also marvel at the amazing cross-hatching.
Surrealism - (Surrealism) - a style of art development in Europe in the 1920s, characterized largely by the origin of creativity, to create graphic objects and ideas. Surrealistic paintings often depict unexpected or irrational objects in a fantasy atmosphere, creating the impression of being in a dream.g
- He Hongbei
- Dragan Ilic Di Vogo
- Evita Medina
- Jean-Pierre Alaux
- Saturno Butto
- Jim Warren
- Claude Verlinde
- José Parra
Symbolism - (Symbolism) - styles of art developments at the end of the 19th century are characterized by the inclusion of symbols and ideas, usually of a spiritual or mystical nature, which can represent internal interpretations and traditions to the people.
Synthetism - (Synthetism) - a genre of French painting characterized by colorful flat forms and symbolic interpretation of abstract ideas.
Traditional - (Traditional) - an artistic style passed on from generation to generation.
Trompe l'oeil - (fool your eyes) - this is a style of painting in which architectural details appear in extremely detailed details to create the illusion of a trivial reality. This form of painting was first used by thousands of Romans on frescoes and painting and was extremely popular in the Renaissance era and will continue to this day.
